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If you’re into wide-format instant cameras but don’t want to spend $409.95 — or prefer a more traditional analog experience — the $175.95 Instax Wide 400 is a solid pick. The basic point-and-shoot produces similar stills to the Wide Evo, and in some ways, it’s easier to use, thanks to its stripped-down feature set. That simplicity, however, comes at the cost of customization, making it harder to capture the perfect shot. It also swaps an LCD display for a large viewfinder and is noticeably heavier than the Instax Mini Evo. Nonetheless, if you’re after wide prints at a more affordable price, it’s a worthwhile option.
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No one makes a hangout movie like Jim Jarmusch. From his feature-length debut Permanent Vacation onward, the American writer/director has woven his affinity for intimate settings and observational humor with various flourishes. Only Lovers Left Alive gave us vampires lounging around a rotting Detroit. The Dead Don't Die offered ghouls with the energy and desires of a late-night hang, craving coffee and chardonnay (and brains). Now, FATHER MOTHER SISTER BROTHER offers the familiar family hang — one that's authentically awkward, funny, and tragic.
Sometimes as a child I had trouble falling asleep. But from age 11 and through my early teenage years, recreating the film Mamma Mia! in my head frame-by-frame was my remedy. Running each line of dialogue through my mind and bringing to life the colour of the characters’ clothes, usually by the time they arrive flustered from their journey, I would drift off.